MusikNotation

<body bgcolor="#006A6A"> <h1 align="center"><font face="Verdana" size="4" color="#ffffff">Musik Notation Bücher Musik Software</font></h1> <div align="center"><center><table border="1" cellpadding="6" cellspacing="0" width="920" bgcolor="#FFFFFF"> <tr> <td><a href="index.html" title="Information in english"> <dd align="right"><img src="english.gif" width="42" alt="english" border="0"></a></dd> </td> </tr> <tr> <td width="90%"><h1><font face="Verdana" size="1"><a title="Autor Willi Apel" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Willi%20Apel"> Willi Apel</a></font><br> <a title="Die Notation der polyphonen Musik 900 - 1600" href="https://www.musica.at/asin.php?s=376510180X"><font face="Verdana" size="2">Die Notation der polyphonen Musik 900 - 1600 </font></a></h1> <p><font face="Verdana" size="1"><b>Buch, Gebundene Ausgabe:</b> 527 Seiten<br> <b>Verlag:</b> Breitkopf & Härtel; Auflage: 5. A. (1982)<br> <b>Sprache:</b> deutsch<br> Schon frühzeitig war die mündliche Überlieferung einstimmiger Gesänge auf Gedächtnisstützen angewiesen, die neben der Metrik des Textes den genauen Intervallverlauf durch Neumen kenntlich machten. Aber erst die kunstvolle Mehrstimmigkeit verlangte nach einem notengetreuen Schriftbild, weil es nun beim Zusammenspiel mehrerer Stimmen gewisse Regeln zu beachten galt. Veranschaulicht bereits die Mensuralnotation der ars nova mit ihren häufigen Ligaturen und komplizierten Zeitangaben einen theoretischen Höhepunkt, so vereinfachte das praktische Musizieren die rhythmisch differenzierte Stimmordnung zur einheitlichen 'partitura' wie auch die Tabulaturen einzelner Instrumente, die ähnlich dem späteren Generalbaß anstatt Noten bloß Ziffern oder Buchstaben benutzten.  Die genaue Kenntnis dieser alten Notationen bildet jedoch die Voraussetzung für das Verständnis jener polyphonen Werke, da die gesamte Musik vor 1600 meist in einer von der heutigen Notenschrift abweichenden Form notiert worden ist. </font></td> <td rowspan="15" valign="top" width="150" bgcolor="#DFE6B7"><p align="center"><a href="https://www.musica.at/encore/index1.htm"><font face="Verdana" size="2"><strong>Encore Notation</strong></font><font face="Verdana"><font size="3"><br> </font><br> </font><font face="Verdana" size="1">Neu GVox Encore 5!</font></a></p> <p align="justify"><font face="Verdana" size="1">Notendruckprogramm mit sehr umfangreichen Funktionen: Eingabe von Noten und Pausen über Mausklick, Step-by-Step Eingabe über Maus und MIDI-Keyboard oder Realtime-Eingabe über MIDI-Keyboard. <br> Updates Encore 5.0.2 Windows und 5.0.5 Mac! <a href="https://www.passportmusic.de/" title="Passport Music Software">Passport Music Software</a></font></p> <p align="center"><img src="line.gif" width="150" height="1" alt="Music Notation software"></p> <p align="center"><a href="https://www.musictime.de/"><font face="Verdana" size="2"><strong>MusicTime Deluxe</strong><br> </font><br> <font face="Verdana" size="1">Neu MusicTime Deluxe 4!</font></a></p> <p align="justify"><font face="Verdana" size="1">Notenschreibprogramm mit sehr umfangreichen Funktionen: Noten-Assistent zum schnellen Erstellen neuer Partituren, automatischer Einzelstimmen-Auszug, Noteneingabe mit einem MIDI-Keyboard...<br> Updates MusicTime 4.0.2 für Windows und Mac! <a href="https://www.passportmusic.de/" title="Passport Music Software">Passport Music Software</a></font></p> <p align="left"><font face="Verdana" size="1"><a href="https://www.musica.at/musictime/Anleitung/" title="MusicTime Deluxe 4 für Windows & Mac deutsches Handbuch - Anleitung" target="_top">MusicTime Deluxe 4 deutsches Handbuch - Anleitung online</a></font></p> <p align="center"><img src="line.gif" width="150" height="1" alt="Music Notation software"></p> <p align="center"><a href="https://www.magicscore.de/index1.htm"><font face="Verdana" size="2">MagicScore<br> <br> </font><font face="Verdana" size="1">Magic Score Maestro</font></a></p> <p align="justify"><font face="Verdana" size="1">MagicScore: Die günstige Alternative zu anderen Notensatzprogrammen gibt es jetzt auch auf Deutsch. Jetzt Testversion herunterladen... </font></p> <p align="justify"><img src="line.gif" width="150" height="1" alt="Music Notation software"></p> <p align="center"><a href="https://www.musica.at/midinotate/"><font face="Verdana" size="2">Notation Composer<br> </font><br> <font face="Verdana" size="1">Easy Notation for Musicians</font></a></p> <p align="justify"><font face="Verdana" size="1">Notation Composer makes it easy to edit, arrange, and compose music using just your MIDI instrument or mouse. Now you can let the creative juices flow while the notes are placed into your score automatically.</font></p> <p align="center"><img src="line.gif" width="150" height="1" alt="Music Notation software"></p> <p align="center"><a href="https://www.musica.at/midinotate/"><font face="Verdana" size="2">Notation Musician<br> </font><br> <font face="Verdana" size="1">Serious Fun with Music</font></a></p> <p align="justify"><font face="Verdana" size="1">Notation Musician turns any MIDI file into great sheet music, so you can watch the notes on the screen as they play. Now it's easier than ever to see, hear, and play along with the MIDI files that you download.</font></p> <p align="center"><img src="line.gif" width="150" height="1" alt="Music Notation software"></p> <p align="center"><a href="https://www.sibelius.at/"><font face="Verdana" size="2">Sibelius</font><font face="Verdana"><br> </font><br> <font face="Verdana" size="1">Sibelius 7 & Sibelius First</font></a></p> <p align="justify"><font face="Verdana" size="1">Noten erstellen, drucken und im Web publizieren. Sibelius First ist mehr als nur eine Einstiegsversion von Sibelius. Erstklassige Ausstattung zu einem äußerst attraktiven Preis.</font></p> <p align="justify"><img src="line.gif" width="150" height="1" alt="Music Notation software"></p> <p align="center"><a href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?SearchIndex=Software&Operation=ItemSearch&Manufacturer=MakeMusic!"><font face="Verdana" size="2">Finale 2010</font><font face="Verdana"><br> <br> </font><font face="Verdana" size="1">Finale MakeMusic!</font></a></p> <p align="justify"><font face="Verdana" size="1">Powerful music-notation software with extensive note-entry options  Compose, arrange, notate, and print engraver-quality sheet music.</font></p> <p align="left"><img src="line.gif" width="150" height="1" alt="Music Notation software"></p> <p align="center"><a href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?SearchIndex=Software&Operation=ItemSearch&Manufacturer=MakeMusic!"><font face="Verdana" size="2">Songwriter 2010</font><font face="Verdana"><br> <br> </font><font face="Verdana" size="1">Finale Songwriter</font></a></p> <p align="justify"><font face="Verdana" size="1">Music-making software for songwriters, band directors, students, and other musicians. Play MIDI keyboard and see music appear instantly; import and export MIDI and MusicXML files.</font></p> <p align="left"><img src="line.gif" width="150" height="1" alt="Music Notation software"></p> <p align="center"><a href="https://www.musica.at/musicsoftware/guitar_pro.htm"><font face="Verdana" size="2">Guitar Pro 5</font><font face="Verdana" size="1"><br> <br> Tablature Editor</font></a></p> <p align="justify"><font face="Verdana" size="1">Guitar Pro ist ein Mehrspur Tabulatur Editor für Gitarre, Banjo und Bass - auch alle anderen vier-, fünf-, sechs- und siebensaitigen Instrumente mit Bünden werden unterstützt, und deren Stimmung ist völlig frei konfigurierbar. </font></p> <p align="left"><img src="line.gif" width="150" height="1" alt="Music Notation software"></p> <p align="center"><a href="https://www.musica.at/encore/index1.htm"><font face="Verdana" size="2"><strong>Encore Notation</strong></font><font face="Verdana"><font size="3"><br> </font><br> </font><font face="Verdana" size="1">Neu GVox Encore 5!</font></a></p> <p align="justify"><font face="Verdana" size="1">Notendruckprogramm mit sehr umfangreichen Funktionen: Eingabe von Noten und Pausen über Mausklick, Step-by-Step Eingabe über Maus und MIDI-Keyboard oder Realtime-Eingabe über MIDI-Keyboard. <br> Updates Encore 5.0.2 Windows und 5.0.5 Mac!</font></td> </tr> <tr> <td width="90%"><h1><font face="Verdana" size="1"><a title="Die Notenschrift Autor Albert C. Vinci" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Keywords=Notenschrift"> Albert C. Vinci</a></font><br> <a title="Die Notenschrift" href="https://www.musica.at/asin.php?s=376180900X"><font face="Verdana" size="2">Die Notenschrift </font></a></h1> <p><font face="Verdana" size="1"><b>Buch, Gebundene Ausgabe:</b> 122 Seiten<br> <b>Verlag:</b> Bärenreiter Verlag; Auflage: 2., Aufl. (1991)<br> <b>Sprache:</b> Deutsch<br> Grundlagen der traditionellen Musiknotation<br> Wie schreibe ich Musiknoten richtig? Wie behandle ich Hilflinien und Behalsung bei komplizierten Akkorden, wie Artikulationsbögen und Balken? Dieses Buch gibt Antwort auf Fragen, die sich jeder stellen muss, der mit der Niederschrift von Musik zu tun hat. </font></td> </tr> <tr> <td width="90%"><h1><font face="Verdana" size="1"><a title="Autor Gilles Cantagrel" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Gilles%20Cantagrel"> Gilles Cantagrel</a></font><br> <a title="Musikhandschriften aus 10 Jahrhunderten. Von Guido von Arezzo bis Karlheinz Stockhausen" href="https://www.musica.at/asin.php?s=3896602683"><font face="Verdana" size="2">Musikhandschriften aus 10 Jahrhunderten. Von Guido von Arezzo bis Karlheinz Stockhausen </font></a></h1> <p><font face="Verdana" size="1"><b>Buch, Gebundene Ausgabe:</b> 215 Seiten<br> <b>Verlag:</b> Knesebeck (2005)<br> <b>Sprache:</b> Deutsch<br> Dieser Band zeigt die 100 schönsten Autografen aus 10 Jahrhunderten klassischer Musik. Ob Blätter von Bach, Mozart, Beethoven oder Brahms - alle illustrieren sie die bemerkenswerte Vielfalt des musikalischen Schaffens, das man gar nicht zu kennen braucht, um sich vom visuellen Spiel der Noten verzaubern zu lassen. <br> Über den Autor:<br> Gilles Cantagrel ist Musikwissenschaftler und war Direktor von Radio France Musiques, wo er heute noch mehrere Sendungen leitet. Er ist ein international anerkannter Experte für das Werk Johann Sebastian Bachs, zu dem er bereits mehrere Bücher veröffentlicht hat. </font></td> </tr> <tr> <td width="90%"><h1><font face="Verdana" size="1"><a title="Autor Martin Gieseking" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Martin%20Gieseking"> Martin Gieseking</a>, <a title="Autor Harald Wingerter" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Harald%20Wingerter">Harald Wingerter</a></font><br> <a title="Das Schriftbild der Neuen Musik" href="https://www.musica.at/asin.php?s=3932275756"><font face="Verdana" size="2">Notensatz mit dem Computer. Tipps und Tricks für den professionellen Notensatz ausführliche Workshops mit vielen Beispieldatein </font></a></h1> <p><font face="Verdana" size="1"><b>Taschenbuch: 320 Seiten <br> <b>Verlag:</b> PPV MEDIEN; Auflage: 1 (1. August 2006)<br> <b>Sprache:</b> Deutsch<br> </b>Durchblick beim Notensatz: 14 Workshops zeigen wie Noten perfekt auf Papier gebracht werden. Dabei werden die Kenntnisse an Hand von praktischen Beispielen vermittelt. Der Anwender kann alle Erläuterungen an Hand der auf der CD mitgelieferten Beispiele sofort nachvollziehen und in die Praxis umsetzen.<br> Egal ob Leadsheet, Klavierstück, Solo Notation, Gitarre und Tabulatur, Bläsernoten, Perkussion oder Drums mit diesem Buch geht dem Anwender ohne Zeitverlust jeder Notensatz leicht von der Hand. <br> Über den Autor<br> Martin Gieseking ist wissenschaftlicher Mitarbeiter an der Universität Osnabrück und Mitglied der Forschungsstelle Musik- und Medientechnologie. Er promovierte in Musikinformatik über die automatische Generierung von Notengrafiken. Harald Wingerter studierte Musikwissenschaft und Jazz-Arrangement und -Komposition. Er arbeitet seit über 10 Jahren mit 'Finale' und setzt Noten für viele renommierte Musikverlage. </font><b></b></td> </tr> <tr> <td width="90%"><h1><font face="Verdana" size="1"><a title="Autor Rudolf-Dieter Kraemer" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Rudolf%2DDieter%20Kraemer"> Rudolf-Dieter Kraemer</a></font><br> <a title="Notation: Übungen - Spiele. Arbeitsblätter für Schule und Musikschule" href="https://www.musica.at/asin.php?s=3928898108"><font face="Verdana" size="2">Notation: Übungen - Spiele. Arbeitsblätter für Schule und Musikschule </font></a></h1> <p><font face="Verdana" size="1"><b>Buch, Gebundene Ausgabe:</b> 336 Seiten<br> <b>Verlag:</b> Alpha; 2nd edition (September 6, 2005)<br> <b>Sprache:</b> Deutsch<br> Rezension<br> Dieses Buch entpuppt sich als wahre Schatztruhe! Es bietet eine unglaubliche Fülle an Spielen, Arbeitsblättern und Kopiervorlagen, die sehr kreativ und abwechslungsreich sind. Auch so schwierige Themen wie Rhythmus und Notenlehre erscheinen hier mühelos und werden von den Kindern spielerisch erlernt. Kein Spiel oder Arbeitsblatt gleicht dem anderen. Alle Vorlagen müssen nicht verändert werden - sie können direkt übernommen werden. Die Materialien eignen sich auch für etwas ältere Kinder, da die Schwierigkeitsanforderungen unterschiedlich gehalten sind. Ein tolles Buch, welches ich absolut empfehlen kann! <br> Kurzbeschreibung:<br> Die Arbeitsblätter sollen dazu beitragen, den Umgang mit Notation abwechslungsreich zu gestalten. In vielen Fällen gelingt es nämlich nicht, SchülerInnen ausreichend für die Beschäftigung mit traditioneller Notation zu motivieren. Es wurden deshalb Formen des Übens gewählt, die dazu anregen, auf spielerische Weise erworbene Kenntnisse zu vertiefen. Hierfür wurden Würfelspiele, Rechenspiele, Malspiele, Rätsel, Geschichten und Schreibübungen in Verbindung mit musikalischen Aufgaben entwickelt. Die vorgegebenen Modelle können als Anregungen für weitere Aufgaben dienen. <br> Über den Autor:<br> <a title="Autor Rudolf-Dieter Kraemer" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Rudolf%2DDieter%20Kraemer">Prof. Dr. Rudolf-Dieter Kraemer</a>, Lehrstuhlinhaber für Musikpädagogik an der Universität Augsburg; Herausgeber der Reihe FORUM MUSIKPÄDAGOGIK im Wißner-Verlag Augsburg; zur Zeit Vorsitzender des Arbeitskreises Musikpädagogische Forschung (AMPF). Prof. Dr. Wolfgang Rüdiger, Leiter des Studiengangs Musikerziehung an der Hochschule für Künste Bremen, ab Oktober an der Robert Schumann Hochschule Düsseldorf; ständiger Mitarbeiter der Zeitschrift Üben & Musizieren; Fagottist, Mitbegründer und künstlerischer Leiter des Ensemble Aventure. </font></td> </tr> <tr> <td width="770" bgcolor="#FFFFFF"><h1><font face="Verdana" size="1"><a title="Author Theresa Sauer" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Theresa%20Sauer"> Theresa Sauer</a></font><br> <a title="Theresa Sauer Notations 21" href="https://www.musica.at/asin.php?s=0979554640"><font face="Verdana" size="2">Theresa Sauer Notations 21 </font></a></h1> <p><font face="Verdana" size="1"><b>Paperback:</b> 320 pages <br> <b>Publisher:</b> Mark Batty Publisher (April 30, 2009)<br> <b>Language:</b> English<br> Drawing inspiration from <a href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Keywords=John+Cage" title="John Cage">John Cage's Notations</a> , Notations 21 features illustrated musical scores from more than <b>100 international composers</b>, all of whom are making amazing breakthroughs in the art of notation. These spectacularly beautiful and fascinatingly creative visual pieces not only make for exciting music, but inspiring visual art as well. The scores are accompanied by written contributions from the artists that explore every facet of their creative processes, from inspiration to execution. Contributors include the likes of <a href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Keywords=Karlheinz+Stockhausen" title="Karlheinz Stockhausen">Karlheinz Stockhausen</a>, <a href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Keywords=Earle+Brown" title="Earle Brown">Earle Brown</a>, <a href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Keywords=Halim+El-Dabh" title="Halim El-Dabh">Halim El-Dabh</a>, <a href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Keywords=Joan+La+Barbara" title="Joan La Barbara">Joan La Barbara</a>, and <a href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Keywords=Yuji+Takahashi" title="Yuji Takahashi">Yuji Takahashi</a>, as well as emerging composers whose compositions are also visually astounding and important. In the spirit of honoring the 40th anniversary of Cage's seminal book, while furthering it in a 21st century context, a portion of the sales will be donated to the Foundation for Contemporary Performing Arts. </font></td> </tr> <tr> <td width="770" bgcolor="#FFFFFF"><h1><font face="Verdana" size="1"><a title="Author NICHOLL/GRUD" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27NICHOLL%20GRUD"> NICHOLL/GRUD</a></font><br> <a title="Music Notation - Preparing Scores and Parts" href="https://www.musica.at/asin.php?s=0876390742"><font face="Verdana" size="2">Music Notation - Preparing Scores and Parts </font></a></h1> <p><font face="Verdana" size="1"><b>Paperback:</b> 160 pages <br> <b>Publisher:</b> BERKLEE COLLEGE -LICENSED (April 7, 2007)<br> <b>Language:</b> English<br> <b>Whether you notate music by hand or use computer software, this practical reference will show you today's best practices rendering the details of your scores and parts. </b><br> Improve your music's legibility and express your ideas clearly to get the best possible representation of your music. <br> You will learn to: <br> · create scores that are easy to conduct and parts that are easy to perform; <br> · understand the unique practices and standards for handwritten vs. computer-generated scores, such as those by <a href="https://www.musica.at/encore/" title="Encore Notation">Encore</a> and <a href="https://www.sibelius.at/sibelius_english.htm" title="Sibelius Software">Sibelius</a>; <br> · lay out scores with proper instrument order, measures per page, and common alignment practices; <br> · understand the publication standards for orchestral, big-band, vocal, and rhythm-section-based scores; <br> · use appropriate practices for different styles, such as pop, commercial, classical, and jazz; <br> · and more... <br> Music Notation - Preparing Scores and Parts is used as a notation textbook by Berklee College of Music's Contemporary Writing and Production Department. It presents the definitive word in score and part preparation, based on contemporary publishing-industry practice. </font></td> </tr> <tr> <td width="770" bgcolor="#FFFFFF"><h1><font face="Verdana" size="1"><a title="Author Robert Poli" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Robert%20Poli">Robert Poli</a></font><br> <font face="Verdana" size="2"><span id="btAsinTitle"><a title="The Secret Life of Musical Notation: Defying Interpretive Traditions" href="https://www.musica.at/asin.php?s=1574671847">The Secret Life of Musical Notation</a>: Defying Interpretive Traditions</span></font></h1> <p><font face="Verdana" size="1"><b>Paperback:</b> 280 pages <br> <b>Publisher:</b> Amadeus Press (April 15, 2010)<br> <b>Language:</b> English </font><br> <font face="Verdana" size="1">The original discoveries presented in The Secret Life of Musical Notation: Defying Interpretive Traditions have generated one fundamental conclusion: the long-standing interpretation of several of the markings commonly encountered in music as early as the 1770s may fail to reveal their original intentions, being the result of misconstrued readings. These misinterpretations are due precisely to traditions themselves, which are liable for reifying hearsay as accepted knowledge. Restoring the original meaning of signs and symbols in the scores can bring us closer to practices that have not gained access to musicians' vocabulary because of decades of misinformed playing and fallacious scholarship, giving us greater interpretive insight. Many contemporary musicians who have read the book believe the concepts expressed in it will have a strong impact on the way we read music. They claim that applying these concepts has made them think more thoroughly about the role of musical notation and the way they approach the printed page. </font></td> </tr> <tr> <td width="770" bgcolor="#FFFFFF"><h1><font face="Verdana" size="1"><a title="Author Robin Frederick" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Robin%20Frederick"> Robin Frederick</a></font><br> <a title="Shortcuts to Hit Songwriting: 126 Proven Techniques for Writing Songs That Sell" href="https://www.musica.at/asin.php?s=0982004001"><font face="Verdana" size="2">Shortcuts to Hit Songwriting: 126 Proven Techniques for Writing Songs That Sell </font></a></h1> <p><font face="Verdana" size="1"><b>Paperback:</b> 290 pages <br> <b>Publisher:</b> Taxi Music Books; 1ST edition (October 15, 2008<br> <b>Language:</b> English<br> Here are 126 Shortcuts that will take your songs from good to great! <br> Discover the melody and lyric writing techniques of today's top songwriters and learn how you can use the very same secrets to give your songs the power and edge that will make listeners want to hear them over and over again. <br> You'll learn... 38 proven strategies for creating powerful, unforgettable lyrics, 30 simple ways to make your melody fresh, exciting, and memorable, how to use hit songs as "ghost songs" to get quick results. Plus, there are 58 more Shortcuts to help you lay the groundwork, pick the perfect structure, and choose the chords that will give your songs even more hit potential. And there are more than 100 "Do It Now" exercises to get you started right away! </font></td> </tr> <tr> <td width="770" bgcolor="#FFFFFF"><h1><font face="Verdana" size="1"><a title="Author Michael Lydon" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Michael%20Lydon"> Michael Lydon</a></font><br> <a title="Songwriting Success: How to Write Songs for Fun and (Maybe) Profit" href="https://www.musica.at/asin.php?s=0415969298"><font face="Verdana" size="2">Songwriting Success: How to Write Songs for Fun and (Maybe) Profit </font></a></h1> <p><font face="Verdana" size="1"><b>Paperback:</b> 208 pages <br> <b>Publisher:</b> Routledge; Pap/Com edition (May 26, 2004)<br> <b>Language:</b> English<br> Everyone dreams of being a successful songwriter. In every city and town, down the block in every neighborhood, someone is taking a guitar in hand and dreaming of a career as a songwriter. While many will not become world famous (or even locally well-known) through their songwriting, there's no reason why they-and you-can't enjoy writing their own songs. For creative challenges, life-long learning, and just plain fun, nothing beats writing (and singing and playing) your own songs. <br> Assuming no musical knowledge, Songwriting Success breaks down the craft of melody and lyric writing into easily digested lessons that anyone can follow. This book shows the beginning songwriter how to integrate the craft's many skills into a seamless artistic and commercial whole. <br> Lydon also has recorded a special CD taking the budding songwriter who can't read music (or prefers to learn by listening) step-by-step through the writing of a song-from initial idea through crafting melodic hooks and catchy choruses to creating a final "demo" version for marketing the song. This invaluable learning aid sets apart Songwriting Success from the competing titles that don't feature an audio component. Also includes 25 musical examples. </font></td> </tr> <tr> <td width="770" bgcolor="#FFFFFF"><h1><font face="Verdana" size="1"><a title="Author Linda Lusk" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Tom%20Gerou"> Tom Gerou</a>, <a title="Author Linda Lusk" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Linda%20Lusk">Linda Luskx</a></font><br> <a title="Essential Dictionary of Music Notation: The Most Practical and Concise Source for Music Notation" href="https://www.musica.at/asin.php?s=0882847309"><font face="Verdana" size="2">Essential Dictionary of Music Notation: The Most Practical and Concise Source for Music Notation </font></a></h1> <p><font face="Verdana" size="1"><b>Paperback:</b> 352 pages <br> <b>Publisher:</b> Alfred Publishing Co., Inc. (December 1996)<br> <b>Language:</b> English<br> This pocket-sized dictionary presents current and correct notation practices in an easy-to-use format. Generously illustrated and concise, this book is essential to any musician looking for a handy reference for the correct notation of music. <br> <b>A most welcome and beneficial source for every musician, whether using a pencil or a computer. </b></font></td> </tr> <tr> <td width="770" bgcolor="#FFFFFF"><h1><font face="Verdana" size="1"><a title="Author George Heussenstamm" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27George%20Heussenstamm"> George Heussenstamm</a></font><br> <a title="Norton Manual of Music Notation" href="https://www.musica.at/asin.php?s=0393955265"><font face="Verdana" size="2">Norton Manual of Music Notation </font></a></h1> <p><font face="Verdana" size="1"><b>Paperback:</b> 176 pages <br> <b>Publisher:</b> W.W. Norton & Co.; 1st edition (February 17, 1987)<br> <b>Language:</b> English<br> This book is essential for all composers and arrangers. <b>My book covers all essential aspects of traditional music notation.</b> My experience as a teacher of music theory at the college level has shown that students of composition are very weak in their knowledge of the rights and wrongs of music notation. My book serves to correct this fault in a clear and concise manner. Even for those composers who produce musical scores on a computer program, they must have a clear grasp of notational principles, since the computer does not know all of the rules. A score that is correct in every way in terms of notation is extremely important if you expect to receive performance. <br> <i>George Heussenstamm </i></font></td> </tr> <tr> <td width="770" bgcolor="#FFFFFF"><h1><font face="Verdana" size="1"><a title="Author Ron Gorow" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Author=%27Ron%20Gorow"> Ron Gorow</a></font><br> <a title="Hearing and Writing Music: Professional Training for Today's Musician " href="https://www.musica.at/asin.php?s=0962949671"><font face="Verdana" size="2">Hearing and Writing Music: Professional Training for Today's Musician </font></a></h1> <p><font face="Verdana" size="1"><b>Paperback:</b> 448 pages <br> <b>Publisher:</b> September Publishing; 2nd edition (September 2002)<br> <b>Language:</b> English<br> A self-training manual as well as a classroom text, this book is a complete step-by-step course to develop the musician's ability to hear and notate any style of music. Personal training, thoery and exercises produce techniques which are combined in an integrated craft which may be applied to composition, orchestration, arranging, improvisation and performance. <br> In this book you will discover: Transcribing techniques. How to maximize your creativity and productivity. How to develop your craft by consolidating techniques. How to read music with your ears. How you can write music without using an instrument. How to write music spontaneously, as your ear guides your hand. How to communicate accurately through music notation. Why you don't need "perfect pitch." Tools to develop your music perception. 140 exercises, many music examplesmodels for a lifetime of study. Resources for composing, orchestrating, film scoring. Working in the music business. Where to find supplies, organizations, information, inspiration. A definitive guide and reference for composers, orchestrators, arrangers and performers. <br> About the Author<br> Ron Gorow has consolidated his 40 years experience in Hollywood as a composer, orchestrator, arranger, copyist, music engraver, score proofreader, musicologist and teacher to develop the techniques presented in Hearing and Writing Music. He is a member of Professional Musicians Local 47, Recording Musicians Association, International Association of Jazz Educators and American Society of Composers Authors and Publishers. </font></td> </tr> <tr> <td width="770" bgcolor="#FFFFFF"><h1><font face="Verdana" size="1"><a title="Author Johann Joseph Fux" href="https://www.musika.at/cgi-bin/sh1/sh1.cgi?Operation=ItemSearch&Keywords=Johann+Joseph+Fux"> John J. Fux</a></font><br> <a title="Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum" href="https://www.musica.at/asin.php?s=0393002772"><font face="Verdana" size="2">Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum </font></a></h1> <p><font face="Verdana" size="1"><b>Paperback:</b> 156 pages <br> <b>Publisher:</b> Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum)<br> <b>Language:</b> English<br> The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum. <br> Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J. S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. </font></td> </tr> </table> </center></div><table width="100%"> <tr> <td width="100%"><p align="right"><font face="Arial, Helvetica" size="1" color="e0e0e0">Created by Johannes Kaiser-Kaplaner - <a href="https://www.musica.at"><font face="Arial, Helvetica" size="1" color="e0e0e0">www.musica.at</font></a>, Mühlbach 44 A-9184 St.Jakob im Rosental Fax: +43 1253 3033 8989 UID ATU26852901<br> </font></td> </tr> </table> </body>